Within any sequence of measures, there will be something new evoked that further expands the repertoire of possibility, and while its true that most of the music's instrumental components have featured in other extreme metal outings, they've rarely been offered with this level of thematic cohesion. You might catch on early that there will be haunting, wavering clean vocals, soaring ritualistic chants, and sugary bass grooves, but Hail Spirit Noir continue to exert their inventiveness through the implementation of flutes, percussion, and traditional sounds you're not going to find in a stock black metal experience. There are essentially two philosophies to this record, but each is comprised of a great deal of nuance and variation which ensure that very little predictability is maintained. Some might chide the trio for latching onto the 'occult rock' bandwagon, but I can't say that they sound too directly similar to anyone currently exploring the sound more of a straight bastardization of late 60s/70s psych rock, cult horror scores and intricately textured black metal Coven's Witchcraft Destroys Minds & Reaps Souls topped off with some Spectral Lore or Acherontas, and for the past few weeks I have not been able to get enough of this fucking thing.
There's not a lot to directly compare this with, but I might offer that it's a mash-up of aesthetics you'd find in bands as diverse as Ghost, Sarke and fellow Greeks Kawir. 50 minutes of contrasts between the sylvan glade orgies of mortals and ancient beings, and assertive black metal passages which exhibit both a contemporary sense of aggression and progression, without expressly alienating those of a more conservative genre mentality. The lyrics can frequently be found in the comments below or by filtering for lyric videos.It is much to expect a metal album, or really any album, to take one on a journey, but the Hail Spirit Noir sophomore Oi Magoi surpasses such expectations with ease, offering a rare hybrid of psychedelic warmth, prog rock occultism, unusual instrumentation, eloquent and restrained sequences of orchestration, and mythopoesis. Nothing Remains Ain't done much about nothing No Love Last Just as words are nothing worth We have lyrics for these tracks by Slapdash:ĭependence Gone A dead man walks through his life Supertramp (The Very Best Of Supertramp 2) Did you get all you want? Silver Fins Looking back and morning comes Popcaan Yo mi know yo wann give me the thing you… Moorhouse you got me raising like a heart attack We have lyrics for 'Waiting So Long' by these artists:Ĭ.DB.SN Feel like what we had was different Steven Graff is still principal songwriter, and is a member of BMI. Slapdash is definitely a pop group, and Graff has taken pains in promotion and cover art to draw a sharp distinction with their predecessor of the same name. The band shares its name with that of a now defunct Swedish thrash-metal band, which has led to confusion among its new fans. Since then, videos have popped up on YouTube, and the band has been releasing about a single-per-month, drawing from a new batch of sessions during 2008-2010. In 2000 Graff acquired the service mark, and after releasing a debut CD "Reciprocal" in 2006, he acquired the US Trademark. It was at this point, in 1998, that the band was asked to change their name, going with Slapdash. As gigs came and went, the lineup went through many changes, eventually settling with Graff, Casa, Lee Jossel on drums, and Robert Ramos on bass. The band at the time featured Steven Graff, Brian Taylor and Steve Casa. As the band dissolved, guitarist Lars Linden went on to join death/thrash metal band Carnal Forge later joining forces with Jens briefly.Ģ) Slapdash was begun in 1994 as Clutter in Los Angeles. Released one LP in 1996 named "240.25 Actual Reality". They changed their name to Slapdash when Jens C. Originally named Atrocity, they went through lineup changes, releasing two albums under the moniker Rosicrucian in the first half of the 90's.
#Slapdash 240.25 actual reality lyrics full
Read Full Bio There are multiple artists associated with the name Slapdash:ġ) Swedish groove-thrash metal band. As the band dissolved, guitarist Lars Linden went on to join death/thrash metal band Carnal Forge later joining forces with Jens briefly. There are multiple artists associated with the name Slapdash:ġ) Swedish groove-thrash metal band.